{"id":1067,"date":"2025-04-07T14:40:48","date_gmt":"2025-04-07T12:40:48","guid":{"rendered":"https:\/\/copla.io\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\/"},"modified":"2026-10-09T21:02:05","modified_gmt":"2026-10-09T19:02:05","slug":"primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual","status":"publish","type":"post","link":"https:\/\/copla.io\/en\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\/","title":{"rendered":"First Access Coordination Conference of the Film Academy: closer to audiovisual accessibility"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">On March 11, the First Access Coordination Conference organized by the Film Academy took place, which aimed to reflect on the participation of people with disabilities in the audiovisual industry.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Organized in conjunction with Netflix and the British Council, they reflected on the coordination of access that will favor the participation of people with disabilities in all stages of the audiovisual industry: from the creation and representation, to the consumption of audiovisual products.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"676\" data-id=\"1056\" src=\"https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12260-1024x676.jpg\" alt=\"\" class=\"wp-image-1056\" srcset=\"https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12260-980x647.jpg 980w, https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12260-480x317.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Photographs by \u00a9Alberto Ortega &#8211; Courtesy of the Film Academy<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The activity had a sign language interpreter, automatic subtitling with COPLA, magnetic loop, amplified sound and seats assigned for people with reduced mobility, with the aim of offering an accessible space to attendees with physical and sensory disabilities.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">During the day, a series of workshops and training sessions were held that addressed crucial issues regarding the coordination of access in cinema. Experts in the field such as Cultural Manager and Inclusion Advisor, In\u00e9s Enciso, shared their knowledge on how to integrate accessibility in all stages of film production and participants had the opportunity to learn about the importance of representation and how to create inclusive and accessible content for all people.<\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"676\" src=\"https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12228-1-1024x676.jpg\" alt=\"\" class=\"wp-image-1062\" srcset=\"https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12228-1-980x647.jpg 980w, https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12228-1-480x317.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Photographs by \u00a9Alberto Ortega &#8211; Courtesy of the Film Academy<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">One of the most emotional moments of the event was the participation of film professionals with disabilities, who shared their experiences and challenges in the industry. Their testimonies highlighted the need for real change in the way accessibility is addressed in film. Diversity on screen is essential, and these days were an important step towards creating a more equitable environment.<\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"676\" src=\"https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12281-1024x676.jpg\" alt=\"\" class=\"wp-image-1059\" srcset=\"https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12281-980x647.jpg 980w, https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12281-480x317.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><strong>Photographs by \u00a9Alberto Ortega &#8211; Courtesy of the Film Academy<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Access Days are configured as the beginning of a movement towards a more inclusive film industry. The Film Academy committed to continue working on initiatives that promote accessibility and representation of people with disabilities in cinema.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On March 11, the First Access Coordination Conference organized by the Film Academy took place, which aimed to reflect on the participation of people with disabilities in the audiovisual industry. Organized in conjunction with Netflix and the British Council, they reflected on the coordination of access that will favor the participation of people with disabilities [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"off","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[26],"tags":[],"class_list":["post-1067","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticia-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>First Access Coordination Conference of the Film Academy: closer to audiovisual accessibility - Copla<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/copla.io\/en\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"First Access Coordination Conference of the Film Academy: closer to audiovisual accessibility - Copla\" \/>\n<meta property=\"og:description\" content=\"On March 11, the First Access Coordination Conference organized by the Film Academy took place, which aimed to reflect on the participation of people with disabilities in the audiovisual industry. Organized in conjunction with Netflix and the British Council, they reflected on the coordination of access that will favor the participation of people with disabilities [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/copla.io\/en\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\/\" \/>\n<meta property=\"og:site_name\" content=\"Copla\" \/>\n<meta property=\"article:published_time\" content=\"2025-04-07T12:40:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-09T19:02:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/copla.io\/wp-content\/uploads\/2025\/04\/AlbertoOrtega.12193-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1691\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Copla\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Copla\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/copla.io\\\/en\\\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/copla.io\\\/en\\\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\\\/\"},\"author\":{\"name\":\"Copla\",\"@id\":\"https:\\\/\\\/copla.io\\\/#\\\/schema\\\/person\\\/c51e282c5fb26c1aef03fc2db0a4ab05\"},\"headline\":\"First Access Coordination Conference of the Film Academy: closer to audiovisual accessibility\",\"datePublished\":\"2025-04-07T12:40:48+00:00\",\"dateModified\":\"2026-10-09T19:02:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/copla.io\\\/en\\\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\\\/\"},\"wordCount\":323,\"image\":{\"@id\":\"https:\\\/\\\/copla.io\\\/en\\\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/copla.io\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/AlbertoOrtega.12193-scaled.jpg\",\"articleSection\":[\"NEWS\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/copla.io\\\/en\\\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\\\/\",\"url\":\"https:\\\/\\\/copla.io\\\/en\\\/primera-jornada-de-coordinacion-de-acceso-de-la-academia-de-cine-mas-cerca-de-la-accesibilidad-audiovisual\\\/\",\"name\":\"First Access Coordination Conference of the Film Academy: closer to audiovisual accessibility - 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